Reid A. Woodbury Jr.
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Phone
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818-749-6065
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A Microsoft Word version of my resumé can be found here, and a text version here. |
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Gotta Kick It Up with GDH Digital and VH1, Glendale (2001).The Way She Moves with GDH Digital and VH1, Glendale (2001).
Sleep Easy Hutch Rimes with Brasher Sound, Glendale (2000).
Lucky Town with Brasher Sound, Glendale (2000).
Boyd's Out with The Bakery, North Hollywood (2000).
Rumor of Angles with Ground Control Studios, Glendale (1999-2000).
Survival Science for the Discovery Channel with CSI Recording, West Los Angeles (1999).
Suicide Blond by Eduardo Carillo with GDH Digital, Van Nuys (1999).
Dawson's Creek with Paskal Sound Design, Hollywood (1999).
The Best Man in Grass Creek for Moon Struck Pictures with GDH Digital, Van Nuys (1998-9).
Bride of Chucky with Monkeyland Sound, Burbank (1998).
The Sender or The Protector, for P.M. Entertainment with Gnome Productions/The Magnolia Studios, Burbank (1997).
Los Locos a PolyGram/Volcanic Production, directed by Mario Van Peebles, with Gnome Productions/The Magnolia Studios, Burbank (1997).
Man Of Her Dreams for Image Organization with Gnome Productions/The Magnolia Studios, Burbank (1997).
Pink As The Day She Was Born with Gnome Productions/The Magnolia Studios, Burbank (1997).
L.A. Heat, 9 episodes for P.M. Entertainment with Gnome Productions/The Magnolia Studios, Burbank (1996-7).
Men Seeking Women with Ground Control Studios, Burbank (1996).
Do Me A Favor with Gnome Productions/The Magnolia Studios, Burbank (1996).
The Nurse for Image Organization with Gnome Productions/The Magnolia Studios, Burbank (1996).
Spectre or Raging Angels for Concorde/New Horizons Films with Ground Control Studios, Burbank (1996).
To Gillian On Her 37th Birthday for Sony Pictures and Turbosound, Hollywood (1996).
The Love Bug with Walt Disney Pictures and Gnome Productions/The Magnolia Studios, Burbank (1996).
The Whole Wide World a Dayton Way Production with Gnome Production, West L.A. (1995).
Mutant Man a DeLaurentis and Jim Haas III Production with Alan Ett Sound Design, Burbank (1995).
Ninth Street with Rainbow Sound & Hodcarrier Productions, Overland Park KS (1994-95).
It's My Party for United Artists a Randal Kleiser film with Turbosound, Hollywood (1995).
The Baby-Sitters Club for Club Productions and Columbia Pictures with Paskal Sound Design, Hollywood (1995).
Strange Habit and Familiar Bonds for Rock The Vote and MTV with Paskal Sound Design (1995).
Painted Hero or Half A dog's Life for Sound Shore Productions with Ground Control Studios, Burbank (1995).
Outraged Fugitive for Frank Zagarino with Ground Control Studios (1995).
Fist of the Northstar directed by Tony Randal for Zeta Ent./Ryuken Prod. with Ground Control Studios (1994-95).
Icelandic Sagas or Viking Sagas for New Line Cinema with Ground Control Studios (1994).
Jury Duty (Pauly Shore) with Turbosound (1994).
Kangaroo Man directed by Emily Liu with Ground Control Studios (1994).
Texas Payback for P.M. Entertainment with id Group Post, Hollywood (1994).
Rice, Beans, and Ketchup with Tape Effects, Hollywood (1994).
Raging Angels for Spirit Productions and Ground Control Studios, Burbank (1994).
Dream Of America for Noushin and Shahin Ravery (1994).
Burning Season: The Chico Mendez Story an HBO Production directed by John Frankenheimer with Tape Effects (1994).
Crime City for Concorde/New Horizons Films with Ideal Post Sound, Hollywood (1994).
Dead at 21 pilot for QWERTY Productions and MTV with Ground Control Studios, Burbank (1994).
The Hard Truth for Promark Ent. & Force Majeure Prod., directed by Kristine Peterson with Ground Control (1994).
Slow Burn for Concorde/New Horizons Films with Ideal Post Sound, Hollywood (1993).
Ghoulies IV for CineTel Films with Ideal Post Sound, Hollywood (1993).
Revenge of the Red Baron directed by Jim Wynorski for Concorde/New Horizons Films with Ideal Post Sound (1993).
Ring of Steel directed by David Frost with Ground Control Studios, Burbank (1993).
Ice for P.M. Entertainment with id Group Post, Hollywood (1993).
Finnegan's Wake or Backstreet Justice for Prism Entertainment with Ideal Post, Hollywood (1993).
Gypsy Eyes or Pickpocket, Overseas Film Group/Fred Weintraub Productions with Ideal Post Sound, Hollywood (1993).
Martial Outlaw produced by Image Organization at id Group Post, Hollywood (1993).
Witchboard II directed by Kevin Tenney with Blue Rider Films & Ideal Post Sound. (1993).
White Wolves with Concorde/New Horizons Films and Ground Control Studios (1992).
RDraculaising with Concorde/New Horizons Films (1992).
Peep-Hole for Peep-Hole Phase Three Productions (1992).
To Sleep With A Vampire directed by Adam Simon with Concorde/New Horizons Films (1992).
Rage and Honor II: Hostile Takeover with Ground Control Studios (1992).
Quake! or After Shock directed by Louis Morneau with Concorde/New Horizons Films (1992).
Munchie II directed by Jim Wynorski with Concorde/New Horizons Films (1992).
Fallen Angels or Confessions of a Hitman with Ground Control Studios (1992).
Final Judgment or Innocent Blood directed by Louis Morneau with Concorde/New Horizons Films (1991).
Body Chemistry II: Voice of a Stranger directed by Adam Simon w/ Concorde/New Horizons (1991).
Final Embrace directed by Oley Sassone with Concorde/New Horizons Films (1991).
Ultraviolet directed by Mark GrifÞths with Concorde/New Horizons Films (1991).
Heat of Passion with Concorde/New Horizons Films (1991).
The Medicine Show Foley walking and editing with GDH Digital, Glendale CA (2001).Boyd's Out effects editing with The Bakery, North Hollywood (2000).
The Christopher Lowell Show editing & mixing for The Discovery Channel with Monkeyland Sound, Burbank (1999).
The Best Man foley walk and edit for Moon Struck Pictures with GDH Digital, Van Nuys (1998-9).
Forbidden By Law for Magic Hour Pictures, dialog, music, effects, foley, supervision, mixing, West L.A. (1998).
Jerome for J.E.T. Films, Scottsdale AZ, dialog, music, effects, foley, supervisor (1997).
Operation Dalmatian for United American Video with GDH Digital, dialog, music, effects, foley, supervision (1997).
Witchcraft IX mix for Vista Street Entertainment, West L.A. (1997).
Shadow Dancer Sound Designer: dialog, music, effects, & supervisor directed by Michael Paul Girard (1995).
Sound effects for CD-ROM for Fox Hunt Films (1995).
Witchcraft VII , Sound Designer: dialog, music, effects, & supervisor directed by Michael Paul Girard for Vista Street Entertainment, West L.A. (1995).
Salem's Ghost Sound Designer: dialog, music, effects, & supervisor for Vista Street Entertainment (1994).
Q.U.A.C.S 6 episodes, everything: dialog, music, effects, & mix for Vista Street Entertainment (1994).
Divorce Law 12 episodes M & E build for Vista Street Entertainment (1994)
Witchcraft VI M & E build for Vista Street Entertainment (1994).
L.A. Wars with ID Group Post, Hollywood (1993).
Private Wars with ID Group Post, Hollywood (1993).
Rage and Honor II: Hostile Takeover with Ground Control Studios (1992).
Scorpion: The Hunt Is Over for Electric Indigo (Amicus Communications), Hollywood (1998).Various A/V and corporate video projects for Amicus Communications, Hollywood (1990-92).
The feature Welcome to Oblivion with California Recording Studio, Hollywood (1990).
TV specials, promos for Sunwest Studios, Hollywood, (1988-89). Clients include: Philip Crosby Prod., Toon Prod., Young & Rubicam, Really Big Pictures, Pan Imago, Buena Vista, "Circus of the Stars XIII," B. Stivers Prod. (1988), "Comedy Club All-Stars II," Showtime Prod. (1988).
The feature Reunion with City Spark Recording, Kansas City, MO for Chimara Productions (1988).
The special Crystal Gayle's Crystal Christmas with Southpaw Productions at Sunwest Studios (1987).
Various post sound and a/v projects and trade shows for MultiMedia Studios, Culver City (1987-88). Clients included Mitsubishi, Porsche North America, Nissan, Honda, Yamaha outdoor products, Acura, United States Air Force.
Mixer (over 55 features and TV episodes), Foley walker (over 40 features and episodes), ADR recordist, sound effects, and mixing for foreign launguage release with Ultra Studios, Burbank (1986-1987).
ADR recordist for the feature Hot Shot while employed at Scottsound, Hollywood (1986).
Documentary for Yada/Levine, Los Angeles (1991).The video Yes I Can and other projects for City Scope 21, Long Beach (1990).
The promotional video Stir Trek (sic) for Amicus Communications, Hollywood (1990).
The feature Juliet directed by Mario Van Peebles (1987).
Bad Blood AFI student Þlm (1987).
Various projects for StarFax Video (1986).
updated 02/03/28